Saturday, March 31, 2012

Associating Cheese With Interracial Sex?



I never used to associate cheese with interracial sex. But thanks to Philadelphia Cream Cheese, I now do.

The woman here looks vaguely Hispanic or something, but the casting directors knew what they were doing. They knew that 90 percent of the viewing audience would see this couple and think "white woman, black guy." While selling their cheese, why not sell a little New World Order social engineering on the side?

Par for the course in the genocidal world of 21st century Anti-White Media.

Boycott: Philadelphia Cream Cheese and all Kraft products.

Friday, March 30, 2012

Know-It-All Black Lady The "Brains Of This Operation" On Helpless Whitey



The white male patient is just meat to be humiliated.

The white male surgeon is unethical.

The black lady is the "brains of this operation." She calls out her co-worker on his unethical behavior. She's the judge of white male morality.

She knows everything. She's a brain surgeon. She also knows a more efficient way for whitey to plan his vay-cay.

Note the weak-armed whitey hi-five. Note the disapproving black lady gaze.

Thus we have yet another ad in which blacks fill the role of the Big Other. The Lacanian Big Other, simply put, is the person or thing before whom one must keep up appearances, before whom one must be on good behavior. The Big Other can be a state or a parent. Here, as well as in a thousand other Anti-White ads, the Big Other is the black gaze. Why must the New World Order social engineers constantly promote blacks as this Big Other, and show whites, especially white males, as kowtowing to their afro-centric worldview?

Boycott: Kayak.

Thursday, March 15, 2012



[It is amazing that this show Bonekickers failed to catch on, seeing as it was aimed so narrowly at the enormous "Black British Archaeologist" demographic.]

At :15 we hear a sagacious black man whisper "If you don't know your past, how can you know your future?"

Now, in a normal Britain this would be good advice. Archaeologists would dig up a mountain of evidence showing whites to be the aboriginal inhabitants of their island. Knowing this past, they would promote a future that maintains that heritage.

But in a Britain limping through an age of Anti-White Media, we are brought to the opposite conclusion. Here whites play second fiddle, at best, while blacks are archaeologists, politicians, lovers, and wise men and wise women.

Under the direction of the morally perfect and uber-professional black main character, we find that Britain was always multicultural--"What the hell is a middle-eastern coin doing in a park in Somerset?"-- while at the same time discovering how, historically, whites have been evil slave drivers and evil crusaders and generally evil and culturally insensitive.

But isn't it culturally insensitive to subject white Britain to such an intellectual lashing when no one is producing similar shows in, say, Turkey or Saudi Arabia or Sub-Saharan Africa? -- A show where noble proud whites uncover evidence of centuries of oppression and slavery and brutality fostered by the local Turks, Saudis, and Africans?

Anti-Racism is just a code word for Anti-White.

I give you an episode-by-episode Bonekickers rundown, provided by an anonymous contributor. (Thanks!)


Episode 1: Blonde-haired, blue-eyed Christian terrorists declare a Crusade on poor, innocent brown Muslims. Including one scene where the evil white Christian decapitates an innocent Muslim.

Episode 2: They discover some relic of horrific white-on-black slavery in Bristol, and we get an hour of White Guilt about slavery, on top of a Black Presidential candidate being racially abused by an evil white racist. It also turns out that Black soldiers played a pivotal role in the Revolutionary War in America, but it had been covered up because of evil white racists.

Episode 3: They discover that Boudicca, the Ancient British Queen who famously fought back against the Roman immigration to Britain 2,000 years ago, was actually secretly having an affair with one of the Roman immigrants.

Episode 4: The white female archaeologists tells us that Northern European archaeology is pathetic and boring compared to wonderful Egyptian and Middle Eastern archaeology. We never built anything good and were just savages eating dung. There's also White guilt about looting Middle Eastern artifacts.

Episode 5: I can't remember but it's something that undermines Britain's sense of pride about World War I, they uncover some dead bodies which were on some secret mission to kill some German civilians or something, and the British army tries to cover it up.

Looks like Britain had an evil past and, as punishment, will have a brown future, courtesy of the BBC.

Friday, March 9, 2012

White Wimp Gets Turned Into A Vending Machine(?)



White man. The hockey stick is to emphasize that he's white. Of course he gets humiliated, stripped. His posture is wilty. His voice is meek. He gets transformed into an inanimate object which then gets destroyed. The black guy is given god-like powers. The ad is "funny" so we associate laughter and good times with white men getting smashed.

Par for the course. Now go buy your Old Spice, you self-loathing white sheep.

Thursday, March 8, 2012

Naked White Woman [Random White Male Carnage] Cool Black Guy



This one goes quickly, so you have to watch closely. But the message is clear: white males are the disposable, queer, rightful-recipients of violence and shame. Black males are the rightful recipients of porno messages from white women.

This commercial has an arc, a structure. I can block it out for you. It goes something like this: Naked White Woman [Random White Male Carnage] Cool Black Guy.

We see a duckfaced naked sudsy slut sending her photo through some Motorola messaging service or apparatus. The next few scenes trace the trajectory of the message: first she lights up the wires of a phone line, as if her message was still being sent the old fashioned way and was too hot for the old network to handle. The white phone company employee is not the intended recipient of the message. He's just gawking as it passes by him; in fact as a telecommunications lackey he is only there to facilitate its passing, and he is slacking on the job, drooling over an image not for him.

We are supposed to imagine the image moves on through the sequence of scenes. At each stage, white males are humiliated, infantilized, and bitch-slapped. The at :17 the poor white boy Jimmy behind the bathroom door is implicitly masturbating to the slutty pic. Then in quick succession three white men get slapped, two of whom are homos and all of whom are ugly.

It is no accident that the "cool black guy" (who in no way gets slapped, humiliated, or depicted as gay) stands below what looks to be a line dangling from above. He is, visually, the end of the line, i.e. the phone line that the white phone technician was working on. So the white woman at the beginning and the black guy at the end are bookends. He is the terminus of her slutty text.

What do you think the odds were that this interracial pairing was intended from the beginning, at the inception of this ad? I can see it now: ad agency assholes sitting in their sewing circles, trying to concoct a way for a naked white woman to be paired with a cool black guy's gaze.

Such is often the goal in our genocidal 21st century western visual culture.

[Update: Still working on my book related to this blog. Thanks for your patience while the posts are few-and-far-between for the next several months. I do hope to post a few more this month, however.]

Tuesday, February 14, 2012

Pepsi: Blacks Lead Revolt Deposing Feminized Whitey



Pepsi here tries to encourage an on-going social revolution in which white males are ridiculed and downtrodden. We laugh when the white jester falls through the floor. Of course he's white because he's queer and can't sing and tries to be hip and fails and get's a likely fatal punishment. Hilarious. Of course it's the blackish woman who has the powerful voice, who overturns the old order for "dah people, yo" who symbolized the mixed-race, miscegenating mob. Of course it is no accident that as the black woman croons and gyrates her pelvis, demanding RESPECT, the camera pans to a white woman with a block-jawed (clearly non-feminized) black guy (:30) and a white guy with a distracted black woman.

Of course dah white king gets usurped by the undulating, mixed-race rabble; he falls through the floor and gets mocked by yet another black guy. The white king, it seems, cant even get a break in this new pseudo-hell. He has fallen to the lowest of the low, and the black soul sistah now rules.

All this is to say that while the new political paradigm claims we are all one world, all soul brothahs and sistahs, and thus should all embrace in brotherly love in a world-wide group hug, the opposite is actually the case: in the new order, white males are the enemy because the multicultural mob feels entitled to take from them goodies and power. And empowered blacks and half-blacks are going to distribute these goodies to the mob. Sound familiar?

While we are told how horrible it was for Hitler to scapegoat the Joos, it seems it is perfectly ok to depict all white males as dorks-who-deserve-to-die. Apparently, in the age of Anti-White Media, that's not offensive at all.

Just more propaganda to excuse the on-going genocide in all white countries and only white countries.

Boycott: Pepsi

Wednesday, January 25, 2012

The BBC's White Genocide Propaganda



The opening ceremonies of the Beijing Olympics, if you recall, featured a stadium field full of Chinese drummers and dancers, who were all just that -- Chinese.

I'll refresh your memory:



I remember watching these opening ceremonies in '08 thinking that there was something refreshingly nationalistic about them. I knew that when the London 2012 Olympics rolled around it would be a different story entirely.

You see, the United Kingdom is a white country, and as such it has to prostrate itself to globalist multiculturalism. They will not be able to feature a sea of fit white men dancing in unison like the Chinese did. No, instead there will be loads and loads of propaganda, as in this BBC spot at top, where they do nothing but celebrate diversity and white genocide.

The BBC video asks: "Why does Britain have one of the world's largest mixed-race populations?"

Well, sir, because immigration was forced down its people's throats post WWII. The British people never voted on whether they wanted to be genocided out of existence.

Once again it's Africa for the Africans, Asia for the Asians, White Countries for EVERYBODY!

Wednesday, January 18, 2012

It's Funny When White Boys Get Decapitated


At first I thought there was something distinctly odd about this ad for a fizzy drink.

What is strange here is that, while we have the usual bi-racial cast, the white kid isn't automatically shown as dumb and reliant on the black kid to tell him how to be cool.

The white kid is actually "cool."

Call me crazy, but somehow I had a suspicion that by the end of the commercial, something vile was just bound to happen to the white kid, just to, you know, reassure me that I wasn't dreaming and that I was still in the 21st century, the Age of Anti-White Media. White kids can't possibly be cool next to black kids. It's illegal. He must surely be punished.

How right I was. Don't you love it when those white kids get decapitated and black kids just laugh?

Imagine the "controversy" and all the bitching and moaning that would ensue if the races were reversed.

Boycott: Yoplait

Tuesday, January 3, 2012

Reality vs. Antiwhite Hollywood Fantasy



The viral video of Epic Beard Man has been turned into a film by the Hollyweirds.

Of course the new film
Bad Ass distorts the original, real story out of all recognition. They say it is "based on a true story," but here, instead of the white 67 year-old getting harassed on a public bus by an uppity black guy, it is two white skinheads picking on a poor, innocent Mexican! Of course!

As if they couldn't just make a movie about Epic Beard Man. No: he's white, so that would be rayyyycisss.

Our culture has a disease of the soul.

Hat tip: Scotsman.

[By the way, happy New Year. Pardon if postings slow down for a few months. I have tried to keep it up to 12 to 14 per month for over a year, and of course there is always more to post. But don't worry: I'm not getting lazy--quite the opposite! I am writing a book on the subject of this blog, and I intend to finish sometime this year. This plus a full-time job. I still intend to post about once a week, so stay tuned. Normal posting pace will resume eventually. And I will keep you all informed on the status of the new book.]

Thursday, December 22, 2011

Di[e]versity Training Video - Training You How To Hate Whitey


[Pardon for the recent lull. Holidays, you know.]

Today we feature a form of Anti-White Media that we have heretofore neglected: the diversity training video.

Many of us have been forced to watch them when taking a new job. Has anyone ever noticed how over-the-top Anti-White they are?

What this video doesn't tell you, but which is clear from the production company's website,
is that the non-whites it features are for the most part professional "diversity" consultants.

The most hostile man here, the colorfully dressed, mixed-race guy, Mr. Victor Lewis, has made a living airing Anti-White grievances. Therefore his spiel about the white guy "standing on the shoulders" of other races is likely scripted; it is probably a point he has made (and was likely paid to make) in front of audiences hundreds of times.

Meanwhile, the white guy they gang up on is just your average Joe. He's not a professional advocate for white interests. He just runs a shop.

So here we have professional race hustlers and "diversity trainers" picking on this one white fall-guy. They put him on trial. Even the black guy he's sitting next to, who acts as his lawyer, turns on him.

But if I had been in the room, I would have had to remind them that just about every race there had at one time gone through an expansionist phase. For instance, one of the men next to Mr. Lewis looks like he could be a Mongolian. Why doesn't Mr. Lewis turn threateningly towards the Mongolian man and tell how he "stood on the shoulders of," enslaved, dominated and decimated the white people of the Russian Steppe for hundreds of years? If the man happened to be Japanese, Mr. Lewis could have complained how the man's ancestors enslaved the Koreans for thousands of years.

In fact, Mr. Lewis himself looks vaguely like Muammar Gaddafi. He could easily be part Arab or Moor. But he doesn't turn to himself and say: You know, self, for hundreds of years you harassed all your neighbors; you killed and enslaved the Indo-European Persians; you converted them at the point of a sword to your oppressive religion; you conquered and killed and converted the people of Spain; you harried all weaker and less organized tribes, enslaved them when you could and justified that enslavement with your not-very-PC religious text, the Koran. Indeed, you have historically dominated your own women, who to this day are far less likely than a white European woman to maintain any sense of independence.

I could go on with critiques of Mr. Lewis, and shall: he singles out the white guy for such particular scorn, blaming him for the alleged wrongs of the white race as a whole. But, to be fair, does he ever think to thank him for the things that the white race has done for him? Has given him? The clothes he is wearing, as Afro-licious as they appear, were made in a textile mill invented by white people. Books, in which he studied to learn how to hate white people, were invented by white people. He probably drove to the film set in a car, invented by white people. And the camera that was used to spread his message of hating white people was invented by white people.

He cries and moans about how North America was taken from red people by white people. But why, then, is he in North America? Who is keeping him here? It's the 21st century, Mr. Lewis. You can get on a plane (invented by white people) and move back to the Sudan, where you look to be from. Oh, but then how would you earn your bread, Mr. Lewis? For then in the Sudan, who would pay you to complain about white people?

Don't mean to burst your bubble, Mr. Lewis, but there in the Sudan you would find people who look a lot like you, people who are currently in the process of raping and murdering and marauding their weaker, darker neighbors. Not a single victim-pimping race-hustling seminar within a thousand miles! How on earth would you then manage to pump yourself up with your high-and-mighty speechifying? How on earth would you continue to spin the narrative of your moral superiority?

I mean, there are lots and lots of ways to counter Mr. Lewis' impassioned argument that aren't, as he claims, merely efforts to "mystify" this issue. If anything, Mr. Lewis is the one doing the mystifying. His raised voice, threatening posture, and harsh tone all serve to take the discussion out of the realm of facts and logic, and push it into the realm of coercion, which is precisely where the makers of this film want to take it.

One more thing: this idea that blacks are somehow morally righteous because they never were imperialistic or colonialist is pure hogwash on so many levels. For one, don't all the PC history texts talk about how we all come from Africa? So if people who are descended from Africans live all over the world, doesn't that mean that at some point Africans were expansionist, and displaced the other human species? Seems kinda contradictory that we are constantly encouraged to celebrate the fact that "we're all from Africa" but fail to heap upon those expansionist Africans the same scorn we reserve for those expansionist Europeans.

Furthermore, the fact that Africans failed to expand like Europeans did in modern times has nothing to do with some kind of innate virtue among blacks. I mean, it wasn't like blacks thought of taking North America for themselves and then chose not to because like peace-loving little Dalai Lamas they thought it would be "disrespectful" to take the lands of other tribes. No. Everybody knows they didn't expand on their own because they couldn't get their act together, technologically speaking. If they could have, you know they would have. Had they been able to construct the Viking longship, they would have made it to Nova Scotia, too. This bitching and moaning about white colonialism is just displaced envy.

This video, claiming to be about encouraging "diversity," actually only trains us how to hate white people.