[Due to copyright issues, today's video could not be embedded. To view the video for this article, click here.]
There is something more insidious going on in this ad than merely the context of a multicultural crowd.
There is a narrative unfolding illustrative the role of the pivotal and positive role blacks play in white London society. Thus this is biased, politicised opinionizing.
What is made to look like a random, real, unscripted event here is anything but. It is meticulously planned and professionally performed and edited to send all the right signals and come to all the right conclusions. The conclusion: whites will accept their genocide because it's Fun.
At first, the dance disturbance is not enough to really elicit notice amid the usual hubbub at Liverpool Street Station. The dancers are few; they are mostly white; they keep to themselves.
But gradually the dancing spreads; it takes over the station, becoming ever more Africanized, until nearly every frame contains prominently placed blacks showing whitey how to e'spress demselves (see 1:26, 1:33, 1:42). The money shot is at 2:07, where half the frame is made up of euphoric blond women, the other half of imposing, dancing black men. No accident there.
Cut to hallelujah chorus moment of the entire crowd. Now white Brits, instead of just going to work, can shake their butts in unison just like African tribes do; they can do the Watusi just like the tribe they never were, but can thankfully now become.
[Again: hat tip to an anonymous contributor]